Tencent-backed Maoyan Entertainment makes tepid Hong Kong debut

A sign of movie ticketing company Maoyan Entertainment is seen at a news conference during the Shanghai International Film Festival in Shanghai, China June 19, 2018. Picture taken June 19, 2018. REUTERS/Stringer ATTENTION EDITORS - THIS IMAGE WAS PROVIDED BY A THIRD PARTY. CHINA OUT.

Tencent-backed Maoyan Entertainment, China’s biggest movie-ticketing platform by sales, fell 2.7 percent in its Hong Kong stock debut on Monday, the latest in a string of weak starts among Chinese tech firms listing in the financial hub.

Shares in Maoyan Entertainment opened near-flat at HK$14.82 ($1.89), barely 1 percent higher than the initial public offering (IPO) price of HK$14.8, which was already at the bottom end of an indicative range.

They then fell as low as HK$14, a warning sign for other Chinese tech companies that may be eyeing IPOs after achieving lofty valuations in private funding rounds. The stock was around HK$14.38 at 10:30 local time.

Maoyan raised $250 million (191.1 million pounds) in a smaller-than-expected IPO, and could raise up to $287 million if a greenshoe, or over-allotment option, is exercised within the first month of trade.

Its float is being watched as a test of investor sentiment for Hong Kong deals after a patchy performance by newly listed stocks in 2018 amid U.S.-China trade tension.

Maoyan’s IPO already implied a “down round” for Chinese tech giant Tencent Holdings Ltd, as it valued the ticketing platform at $2.16 billion – more than a quarter below the valuation reached in its last funding round in 2017.

Investors are bracing for further down rounds in China’s much-hyped tech sector, as weak stock markets worldwide and the country’s economic slowdown weigh on once-buoyant private markets.

Many firms such as online food delivery-to-ticketing services provider Meituan Dianping and smartphone maker Xiaomi Corp, which raised billions of dollars in their listings, are trading below their IPO prices in Hong Kong.

Maoyan had initially been looking to raise $500 million to $1 billion in its IPO, sources said in September.

The firm offers ticketing services through its Maoyan and Gewara apps in China – the world’s second-largest movie market after the United States – and mainly distributes domestic films.

However, it did help with the local distribution of the 2017 romantic drama “The Shape of Water”, which won four Oscars, according to its prospectus.

Maoyan’s revenue almost doubled in the first nine months of 2018 to 3.1 billion yuan ($459.76 million), the prospectus showed. It has yet to turn in a net profit, but its loss narrowed to 144 million yuan over the same period from 152.1 million yuan a year earlier.

Bank of America Merrill Lynch and Morgan Stanley were joint sponsors for the Maoyan listing.

Also Read:

Tencent-backed Maoyan Entertainment prices HK IPO at lower end, raises $250m

Reuters

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Singapore Reporter/s

In Singapore, we are looking to double our reporting team by this year-end to comprehensively cover the fast-moving world of funded startups and VC, PE & M&A deals. We want reporters who can tell our readers what is really happening in these sectors and why it matters to markets, companies and consumers. The ability to write precisely and urgently is crucial for these roles. Ideal candidates must have to ability to work in a collaborative, dynamic, and fast-changing environment. We want our new hires to be digitally savvy and ready to experiment with new forms of storytelling. Most importantly, we are looking for hard-hitting reporters who work well in a team. Collaboration and collegiality are a must.

Following vacancies can be applied for (only in Singapore).

Following vacancies can be applied for (only in Singapore).   

  • A reporter to track companies/startups that have raised private capital, and have the potential to become unicorns. SEA currently has over 40 companies with a valuation of over $100 million and under $1 billion.
  • A reporter who can get behind the scenes and reveal how funding rounds are put together, or why they’ve failed to materialise. She/he in this role will largely focus on long-format stories. 
  • A journalist to track special situations funds, distressed debt and private credit (from the PE angle) across Asia.